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But this is a little like inquiring timorously if the Colossus of Rhodes was a nice piece of statuary, if the Parthenon was a pretty little church. Is it a great movie? Entertaining? Artistic? Well, yes. DeMille’s lofty and crowning achievement will bring into theatres throughout the world the most important segment of potential audiences: the people who do not attend movies regularly or do not go at all. If there were but one print of this Paramount picture, the place of its showing would be the focus of a world-wide pilgrimage. It is not just a great and powerful motion picture, although it is that it is also a new human experience.
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DeMille‘s The Ten Commandments is, in many ways, the summit of screen achievement.
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DeMille’s Masterpiece - Monumental Production, Entertaining and Uplifting, An Unsurpassed Achievement.”Ĭecil B. 5, 1956, The Hollywood Reporter gave the highest praise to the film in a review originally headlined, “‘The Ten Commandments’ C.B. The plot officially ends with the scene in which Ramses returns to Nefertiri and admits, “His God is God.” Everything afterwards is extraneous to the focus of the movie.In the fall of 1956, moviegoers were greeted with what would become one of Hollywood’s most enduring Biblical-themed films, The Ten Commandments.
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Again, the filmmakers included it to preserve the Biblical story (and the film’s title), but arguably all of these scenes could have omitted to the story’s benefit. But from a storytelling perspective, the fact that the story becomes much less interesting after this point is a good reminder to keep your plot resting firmly on your main character’s shoulders throughout.įinally, the lengthy Resolution is also worth examining. This is due to the filmmakers’ attempts to stay true to the Biblical account (which becomes decidedly God-driven after Moses’ return to Egypt). On the less positive side, one other thing to note is something I’ve written about elsewhere, which is the manner in which the plot in the second half disappointingly swerves away from its character-driven arc. This should be particularly interesting to novelists, since the length of books usually means there’s quite a bit happening in between the major plot points. Notes: One interesting thing to observe in this movie, due its extraordinary length, is the use of turning points other than the major plot points (e.g., Bithia’s discovery of the infant Moses, Seti’s command for Moses to build his city and Ramses to find the Deliverer, Baka’s taking Lilia the water girl for a house slave, etc.). Forty years later, the Hebrews reach the Promised Land. Aaron makes a golden calf, and God punishes the Hebrews for their orgiastic idolatry. Resolution: Moses is given the Ten Commandments. Ramses and Nefertiri’s young son dies.Ĭlimax: Nefertiri goads Ramses into pursuing and attacking the freed slaves at the Red Sea.Ĭlimactic Moment: The Hebrews cross the parted Red Sea, and the waters then close upon Ramses’ chariots, killing his entire army. Third Plot Point: The Angel of Death visits Egypt and kills all the firstborn not protected by blood on the door.
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Second Pinch Point: After Moses is commanded by God, in the burning bush, to return to Egypt to free the slaves, Ramses scorns Moses’s demands and declares that now the slaves must spend their nights gathering their own straw to make their tally of bricks. Midpoint: Ramses turns Moses over to Seti as “the Deliverer” and then exiles Moses to the desert, where Moses eventually makes his way to Midian and the tents of Jethro. When Joshua asks why a prince of Egypt would kill to protect him or any slave, Moses admits he is Hebrew-and is overheard by Ramses’ spy, the Hebrew overseer Dathan. He decides to masquerade as a slave discover what it means to be Hebrew.įirst Pinch Point: Moses kills Baka, the Master Builder, to save Joshua’s life. Moses further decides to feed the Hebrew slaves with Temple grain and give them one day in seven to rest.įirst Plot Point: On the brink of being named Seti’s successor-over Seti’s own son Ramses-Moses learns from the throne princess Nefertiri that he is adopted and is, in fact, Hebrew. Moses stops the stones to free both her and the stonecutter Joshua who is condemned for striking an Egyptian overseer. Inciting Event: Moses’ birth mother Yochabel becomes trapped between two massive stones that are being pushed together in the city Moses is building for his beloved uncle, the Pharaoh Seti.